Sassanid fire temple demarcated to receive better care
TEHRAN – A team of archaeological and cultural heritage experts has defined boundaries for an ancient fire temple, which is situated in central Iran.
Khorramdasht Fire Temple has been demarcated to protect and prevent any possible destruction of the Sassanid-era monument, ILNA reported.
The fire temple is an example of the Chahar-taqi buildings which is an architectural unit consisting of four mudbrick barrel vaults and a dome.
The Sassanid era (224 CE–651) is of very high importance in the history of Iran. Under Sassanids, Persian art and architecture experienced a general renaissance. Architecture often took grandiose proportions such as palaces at Ctesiphon, Firuzabad, and Sarvestan that are amongst highlights of the ensemble.
According to UNESCO, the architecture of the Sassanid monuments in the property further illustrates early examples of construction of domes with squinches on square spaces, such as in the Chahar-taqi buildings, where the four sides of the square room show arched openings: this architectural form turned into the most typical form of Sassanid religious architecture, relating closely to the expansion and stabilization of Zoroastrianism under Sassanid reign and continuing during the Islamic era thanks to its usage in religious and holy buildings such as mosques and tombs.
The Sassanid archaeological landscape also represents a highly efficient system of land use and strategic utilization of natural topography in the creation of the earliest cultural centers of the Sassanid civilization. Crafts such as metalwork and gem-engraving grew highly sophisticated, yet scholarship was encouraged by the state. In those years, works from both the East and West were translated into Pahlavi, the language of the Sassanians.
In 2018, UNESCO added an ensemble of Sassanian historical cities in southern Iran -- titled “Sassanid Archaeological Landscape of Fars Region”-- to its World Heritage list. The ensemble is comprised of eight archaeological sites situated in three geographical parts of Firuzabad, Bishapur, and Sarvestan.
The World Heritage reflects the optimized utilization of natural topography and bears witness to the influence of Achaemenid and Parthian cultural traditions and of Roman art, which later had a significant impact on the architecture and artistic styles of the Islamic era.
AFM
Leave a Comment